“The male rebels of the 50s such as James Dean, Marlon Brando and Horst Buchholz have become icons. For the first time, ‘Ku’damm 56’ is dedicated to the young women of the time, who not only struggled with bigoted morals, but also with a bland, entrenched and fatal understanding of their roles. Obedience prevailed. But the rebellion erupted all the more strongly elsewhere: in rock ‘n’ roll, which burst forth like a force of nature. No wonder the parents got scared,” says successful screenwriter Annette Hess (“Weissensee”) about “Ku’damm 56”.
You can watch “Ku’damm 56” in the ZDF media library.
You can find all information about the sequel “Ku’damm 59” here.
Content: 1956: Young Monika Schöllack is expelled from home economics school for misbehavior. Ashamed, she returns to Berlin to live with her mother Caterina and her sisters Helga and Eva. For Caterina, Monika’s expulsion is further proof of her daughter’s failure and she fears that she will never find a man to marry Monika. Caterina’s main goal is to establish her daughters in society in the best possible way through advantageous marriages. For Caterina, the reputation of the family is above all else. She is very conservative and the program of the “Galant” dance school, which Caterina runs on her own, is accordingly conservative. Her husband and father of her daughters, Gerd Schöllack, has been missing since 1944. Only Fritz Assmann, a friend of the family, supports her at the dance school and stands by her side in other ways.
Annette Hess, author: “Rarely have characters and a historical period come so close to me while writing as with ‘Ku’damm 56’. In addition, there was the great realization of all the trades, the inspiring, happy collaboration with ZDF, with UFA, with the actors and with the director Sven Bohse. Ku’damm 56′ received an overwhelming response from viewers. The subject of emancipation has touched a still intact, highly sensitive social nerve. I am all the more pleased to be able to continue working on this project, which is so important to me, in the wonderfully proven constellation with all the committed participants.”
Benjamin Benedict, producer and managing director of UFA Fiction: “The continuing enthusiastic response shows us that our joint concept of finally focusing on the 1950s in Germany as a fascinating and hitherto surprisingly little-told period and – another first – telling the story from the women’s perspective has worked. […] Annette Hess picks up the threads of the first three parts and weaves them into a gripping sequel that tells the story of the Schöllack family in an exciting and highly emotional way.”